He teaches, at the Faculty of Media Art at the Warsaw Academy of Fine Arts. Since 2009, he has published four books including Powidoki Z Polski: After Images of Poland and exhibited at the Freightdoors Gallery, California, USA The Photographers Gallery, London, UK Noorderlicht Photofestival, Holland and Perpignan Photo Festival, France. He was the recipient of the World Press Photo Award in 19. Krassowski has worked as a photo-reporter in Afghanistan, the UK, Mongolia, and India, but most of his creative output comes from Poland. His work has been published in various titles including Liberation, Tempo, Stern, Der Spiegel, The Observer, The Independent, The New Yorker, Forbes and Fortune, among others. There he became involved with the Independent Magazine, where the photo editor Colin Jacobson offered him some assignments and suggested he join the Network Photographers agency. Disgusted with the state of the Polish economy, he moved to London in 1988. For several years Krassowski was busy running and learning, documenting a country in a state change and turmoil. The situation at the time in Poland at that time was in major transition as communism was crumbling, and the Solidarność movement was created.
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Plus this week photographer Witold Krassowski takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer’s the question ‘What Does Photography Mean to You?’ īorn in 1956 Witold Krassowski studied linguistics at the University of Warsaw and the Sorbonne, he received his doctorate in photography in 2009 at the Radio and Television Faculty of the University of Silesia in Katowice and three years later he received his post-doctoral degree. After receiving his final diploma his photographic hobby became his career. "After 10 years, people still get a vibe from it.In episode 110 UNP founder and curator Grant Scott is in his shed considering the photographic image as proof of history, creating an archive, and the potential repetition of portrait photography. "The most satisfying thing to me is the inspiration it continues to give musicians, whether it is the clapping or the kick drum," he said. Yet, Marsden's greatest legacy may be the Diwali, which has inspired songs like Pon The Replay by Rihanna and Sexy Love by Ne-Yo. Studio-wise, he worked on hit songs like Tanto Metro and Devonte's Everyone Falls In Love and Throw Down Your Arms, Irish singer Sinead O'Connor's reggae tribute album. Through keyboardist Mallory Williams, he played in Lloyd Parks and We The People Band before moving on to the Bloodfire Posse. He remembers hearing the revolutionary Sleng Teng rhythm in 1984 and being hooked to its computerised beat. Heavily influenced by Studio One keyboardist/arranger Jackie Mittoo, Marsden grew up in the Windward Road area of east Kingston. The Diwali's success opened big doors for Marsden, who went on to work on projects by Timbaland and Ron Isley, and helped craft remixes by Britney Spears and the King of Pop himself, Michael Jackson. Sean Paul's song - the last song recorded on the Diwali - reached number one on Billboard in May 2003 and helped propel his Dutty Rock album to multi-platinum sales.
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Wayne Wonder's No Letting Go peaked at number 11 on Billboard, but it was Sean Paul's Get Busy that really made the Diwali an international force. Marsden knew Wonder from their days at Penthouse Records and was happy to help his old friend out. Sean Paul was going good with Gimme The Light an' wanted to do something wid it too," he recalled. "Wayne Wonder said he had a song an' it would fit the Diwali. Marsden said he got calls from two other key artistes who wanted to 'ride the riddim'. Sufferer by Bounty Killer made even more artistes stop and listen to this 'different' beat. Four years later, he released the beat with General Degree's Inna, Zumjay by Zumjay and Roughest by Assassin the first songs on it. Marsden said he recorded the Diwali (Hindi for festival of lights) in 1998. "That's why people loved it, it was different." "From a musician point of view I was trying to create something special, something different," Marsden told Splash. One of the biggest sellers was Sean Paul's Get Busy which made the Billboard pop chart. Marsden got more than he bargained for that year when he unleashed the Diwali riddim which drove some of the biggest dancehall hits. It was 2002 and he wanted to produce hit records. AFTER 17 years of recording and touring with big-name acts like Dennis Brown and Sly and Robbie, keyboardist Steven 'Lenky' Marsden was determined to add another dimension to his career.